From Folklore to Music Education | GuitarCurriculum
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From Folklore to Music Education

Originally a museum curator and folklorist in St. Louis, Jane Vidrine is a guitar teacher and musician in Lafayette, Louisiana. A few years ago she was named the Lafayette Education Foundation’s “Teacher of the Year,” and she’s part of a two-time Grammy-nominated, all-female Cajun and Creole band called the Magnolia Sisters.

Jane traveled to Louisiana after her friend, Nick Spitzer of NPR’s “American Routes,” enlisted her help with the Louisiana Folklife Pavilion at the New Orleans 1984 World’s Fair. She’s been in Lafayette – the “Hub City” and the state’s center of Creole culture – ever since.


Jane, far left

After moving to Louisiana, she continued to do cultural programming and museum curation for a while, but turned her attention toward education when she and her husband had two children.

“It was the beginning of the French immersion program at their school, and here we were in the heart of Cajun and Creole music, and they weren’t teaching music in French,” Jane said.

She wrote some grants to place herself in the classrooms, teaching Cajun and Creole music in French as a field work and archival project. She became “one of those classic itinerant teachers teaching seven different classes in three or four different places every day.”

“I knew the language of folklore and the language of music, but I decided at that point I needed to learn the language of education. So I went back to school and got my Master’s in Education.”

One day about twenty years ago, a girl in her middle school French immersion class said, ‘Miss Vidrine, you’re always teaching us with your guitar. Why don’t you teach us guitar?’

When Jane inquired about a guitar class, her principal said, ‘If you can recruit the students, you can do it.’

Jane only had six students the first year, but her conviction to bring students into the community for exposure to authentic performance settings enabled the word to spread quickly. During a student performance for a principals’ luncheon, one of the principals rushed up to her afterward and said, “I need you at my school.”

Over the past twenty years, she has built a guitar program up from nothing at the LJ Alleman Fine Arts Magnet Academy. She now teaches about a hundred 5th-8th graders in seven classes a day. For years, she was the only classroom guitar teacher in all of Lafayette.


Courtesy of KADN News

Jane has taken an innovative approach to building her program. To create a pipeline from elementary school music classes into her middle school guitar programs, she developed and wrote a grant for a ukulele program called “The Ukulele Suitcase.” She has about three dozen ukuleles which she loans  to teachers, and offers annual training workshops for elementary music educators. The idea behind starting with ukulele is that tiny fingers can negotiate the smaller instrument more easily, which builds basic skills that are then transferable to guitar.

Although high schools in Lafayette didn’t have guitar years ago, so many of her students were entering the high schools that parents demanded they offer guitar classes. The Lafayette Magnet Arts Academy guitar program, a direct stem from her alumni, has enjoyed a particularly close relationship with Jane’s middle school.

“It’s building by itself, not because of anything I personally have done, but because students coming out of my program ask for the class, and other schools see how successful my program is. It’s more a supply and demand thing.”

“When you’re in the trench, you think it’s just class, but then later, you find out it’s not. I’ve had students get full music scholarships to college, students who go into music business, and kids that have CDs out, traveling bands, all kinds of stuff. It’s really cool. We live in a very creative hub here that really encourages that, and I’m glad to be making this particular contribution to the effort.”

“When I find out I’ve sparked creativity and direction in some student’s life, wow. That’s just amazing.”

“It took a while to come back to me, but now my students are succeeding as young adults in music. I’ve put between 1500-2000 students out into the world. When you do that, you feel like you just launch them out there. But certain students have really taken on the guitar and music as their life.”

To read more about Jane's program, visit this link.